Goethe & Vonnegut :: essays research papers

Powerful Emotion (3)Anyone who reads The Sorrows of younker Werther by Johann Wolfgang von Goethe instantly feels the emotional intensity portrayed by Werther, the protagonist. His speculations to the highest degree life are indeed unique, especi onlyy in modern propagation when life often goes by quickly without notice. Perhaps that is one of the reasons wherefore his immense emotion strikes a chord with readers as coming from psyche crazy or dangerous. Werthers mental state seems incredibly breathing at some times while seemingly lifeless at others. This lifeless state of mind is similar to another sorrowful contribution in Kurt Vonneguts Slaughterhouse Five. In his story of billystick Pilgrim, a similar wonder engulfs the reader, causing us to question the cause of two his mindset and of our own. These books bring a couple of interesting questions to mind How more emotion is too much? How little is too little? These characters difference with powerful emotion in many w ays, and are therefore judged as mad. The two protagonists engage in totally different journeys, but separately of them leads the reader to discover the limits of human emotion. These limits are reached by Werther and Billy, therefore lede to both characters demise. In simple terms, I think that Billy Pilgrim in Slaughterhouse Five demonstrates the extremity of too little emotion, in assembly line with Werther in The Sorrows of Young Werther demonstrating the extremity of too much emotion. Both of these characters weather their lives in suffering because of this lack/surfeit of emotion. Id corresponding to start my analysis off with the odd style of Kurt Vonnegut and how he portrays his important character.Billy Pilgrim has mental problems. Too many to name, in fact. He has impediment in almost every aspect of life because of these mental problems. Vonnegut has concocted an anti-war clean that blames Billys health (or lack thereof) on the trauma of creation in a war, but po or Billy has many problems level off before the war. He seems to be extremely emotionally detached from all aspects of life. Yes, he gets married and has children, but it seems to be portrayed as slightly sarcastic and unimportant. This is the danger of being unemotional in life. One of the strongest points proving Billys lack of emotion is when he is at war and essentially tries to set himself up for his enemy to shoot him (Vonnegut 29). The incident seems very humourous considering Vonneguts anti-war opinions, because he seems to want Billy to honor the fairness of war.